The Harder They Come
Perry Henzell, Jamaica, 1972, USA, 105 min
The epochal cultural moment that first brought reggae to the international stage, made Jimmy Cliff a star — and demonstrated how music can change the world.
Fifty years on, THE HARDER THEY COME is still electric with the feeling of discovery. This SCARFACE-y blend of crime drama and musical tracks Cliff’s country-boy-in-search-of-fame through Jamaica under the guises of laborer, recording artist, convict, ganja dealer, and outlaw folk hero.
Before THE HARDER THEY COME, the collective perception of a “foreign film” was limited to the Bergmans and the Kurosawas of the world. This game-changer forever blew those doors off — and it still hasn’t lost a drop of its cool, its edge, or its way of making you dance.
Perry Henzell, Jamaica, 1972, USA, 105 min
The epochal cultural moment that first brought reggae to the international stage, made Jimmy Cliff a star — and demonstrated how music can change the world.
Fifty years on, THE HARDER THEY COME is still electric with the feeling of discovery. This SCARFACE-y blend of crime drama and musical tracks Cliff’s country-boy-in-search-of-fame through Jamaica under the guises of laborer, recording artist, convict, ganja dealer, and outlaw folk hero.
Before THE HARDER THEY COME, the collective perception of a “foreign film” was limited to the Bergmans and the Kurosawas of the world. This game-changer forever blew those doors off — and it still hasn’t lost a drop of its cool, its edge, or its way of making you dance.
Perry Henzell, Jamaica, 1972, USA, 105 min
The epochal cultural moment that first brought reggae to the international stage, made Jimmy Cliff a star — and demonstrated how music can change the world.
Fifty years on, THE HARDER THEY COME is still electric with the feeling of discovery. This SCARFACE-y blend of crime drama and musical tracks Cliff’s country-boy-in-search-of-fame through Jamaica under the guises of laborer, recording artist, convict, ganja dealer, and outlaw folk hero.
Before THE HARDER THEY COME, the collective perception of a “foreign film” was limited to the Bergmans and the Kurosawas of the world. This game-changer forever blew those doors off — and it still hasn’t lost a drop of its cool, its edge, or its way of making you dance.